Visitors look up so quickly that the room itself often goes unnoticed.

A fortress with an altar

Sixtus IV built it with unusually thick, defensible walls — its proportions are traditionally said to echo the dimensions given for the Temple of Solomon in the Old Testament.

Frescoed twice, decades apart

Perugino, Botticelli, Ghirlandaio and others frescoed the side walls in the early 1480s — nearly three decades before Michelangelo began the ceiling in 1508. Many visitors never look down long enough to notice them.

Still a working room, not just a museum

Every papal conclave since the late 15th century has been held here, sealed off from the outside world for the duration.